Taken from THE MET

Figure Fragment: Head

Edo peoples

17th century

Title: Figure Fragment: Head

Date: 17th century

Geography: Nigeria, Court of Benin

Culture: Edo peoples

Medium: Terracotta, metal

Dimensions: H. 8 1/4 x W. 7 1/2 x D. 7 1/2 in. (21 x 19.1 x 19.1 cm)

Classification: Ceramics-Sculpture

Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979

Accession Number: 1979.206.90

‘At its origins, the centralized city-state of Benin was founded by Edo-speaking peoples. The accounts by official court historians and descriptions provided by visitors evoke a vibrant cultural center continually redefined by its leadership through shifting internal and external power dynamics. According to oral tradition, circa 1300, Edo chiefs are reputed to have reached out to the leader of neighboring Ife, Oranmiyan, to establish a new divinely sanctioned royal dynasty.

Since then, the investiture of Benin’s rulers to the title of obas has conferred upon them at once a role of chief priest officiating in important religious ceremonies and presiding over an elaborate structure of palace officials. During the fifteenth century reign of Oba Ewuare, Benin’s armies were formed and the fortification of its capital with a massive wall undertaken.

In parallel, delegations of Portuguese traders assiduously sought to secure exclusive commercial treaties with this leader of the region’s most powerful polity. At its height in 1500, Benin’s authority extended to the Niger delta in the east and to the coastal lagoon of Lagos in the west. Its major exports of pepper, textiles, and ivory were exchanged for copious quantities of imported metals.

This access to an influx of brass led to an explosion of creativity by court artists who transformed it into works for the palace ranging from ancestral portraits, positioned on royal altars, to decorative plaques depicting the oba, his courtiers, and foreign interlocutors. From the earliest such exchanges, those Europeans commissioned exquisite ivory artifacts from Edo carvers for princely collections back home.’

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